Jun 13, 2013
El Universal
English
'El Universal' Profile "There was one time... that I questioned everything and wanted to study psychology, but I am entirely and absolutely musical; that is my essence. And it was impossible for me to turn my back on it."
Gabriela Montero is profiled in El Universal, discussing her musical journey, signature improvisations, her performance at President Obama's inauguration, and more. Read the interview below.
Read article (Web) »
May 24, 2012
English
A Unique Generosity This was a recital of a unique, profoundly authentic, and gifted artist. Gabriela Montero has risen to prominence through her unique ability to improvise, but her uniqueness goes way beyond even this prodigious ability. In her fingers, the Ballades of Chopin became a story. No longer simply musical forms, they became real poems. The fluidity of the tempi served, above all, to create an atmosphere and to render the discourse more personal. Here, we were in the spirit of Cortot, searching for ways in which to make each note come alive beyond its place in the formal structure of the piece.
Read article (Web) »
Feb 08, 2011
Minnesota Public Radio
English
New Classical Tracks: A Latin Storybook Open a storybook and the adventure begins. That's exactly what happens on Venezuelan pianist Gabriela Montero's new recording, "Solatino." Montero says it's a storybook of Latin sounds, emotions and personal statements, beginning with the title on the front cover which appears in bright yellow, blue and red, the colors of the Venezuelan flag. Inside this musical storybook we travel through four different South American countries with six different composers.
Read article (Web) »
Oct 22, 2010
The Independent
English
Gabriela Montero - 'You don't hear 80 per cent of what goes on in my country' Seeing – and hearing – is believing. Even so, it can sometimes be difficult. The pianist Gabriela Montero, after giving a powerful performance of the Grieg Piano Concerto in the Classic FM Live concert at the Royal Albert Hall recently, took the presenter's microphone and explained to the audience that her encore would be improvised. It was, she suggested, a time-machine back to the era when improvisation was a standard art: commonplace, indeed expected, among performers.
Read article (Web) »